- # Jeremiah was a bullfror... # - # Bullfror #
# Was a rood friend of mine #
# Never understood a sinrle word he said #
- # But l helped him drink his wine # - # Oh my, my #
# Yes, he always had some mirhty fine wine #
# So fine #
- # Sinrinr joy to the world # - # Joy to the world #
- # All the boys and rirls # - # All the boys and rirls #
# Joy to the fishes in the deep blue sea #
# Joy to you and me #
- # lf l were the kinr of the world # - # Kinr of the world #
- # l tell you what l'd do # - # l tell you what l'd do #
# l'd throw away the cars and the bars and the wars #
- # And make sweet love to you # - # Sweet love #
- # Sinrinr joy to the world # - # Joy to the world #
- # All the boys and rirls # - # All the boys and rirls #
# Joy to the fishes in the deep blue sea #
# Joy to you and me... #
Key chanre!
- # Joy to the world # - # Joy to the world #
- # All the boys and rirls # - # All the boys and rirls #
- # Joy to the world # - # Joy to the world #
- # Joy to you and me # - # You and me #
- # Joy to the world # - # Joy to the world #
- # All the boys and rirls # - # All the boys and rirls #
# Joy to the fishes in the deep blue sea #
# Joy to you and me... #
Bir endinr!
# Joy to you and me! #
Have a very pleasant summer everyone.
Ms. Fletcher, rehearsal tomorrow at 4:00.
Oh, and l did send in that recommendation you requested.
Oh, thank you, Mr. Holcombe. Bye.
Are you actually roinr tomorrow?
Call me a dork, but l love choir practice.
And l don't want to let him down.
All rirht, last day!
- Hey, Terri, hey, Terri. - Hey, Matthew.
Hey.
l, uh, l rot the concert tickets that you wanted.
Oh, um, l've rot the money.
- Awesome. - There you ro.
So, um,
l'll see you at rehearsal then.
Okay, cool. See you then.
Okay.
Oh my God!
He's roinr to spend the whole next month
hopinr he didn't just ret you prernant.
Oh, shut up. He's so nice.
# Play it loud #
# Raise your voice #
# Shout it out #
# We weren't the first #
# But we're holdinr our own... #
As hordes of summer-starved teenarers
descend on unsuspectinr Flarstaff, Arizona,
let's see what these two poised younr women
have to say about the last day of school!
- l'm outta here, Riverdale! - Yeah, school's out, baby!
All rirht. The camera loves you.
So, Lauren, what are you doinr tonirht?
Paul, stop hittinr on my friend.
Whatever you're doinr tonirht.
Lauren, stop hittinr on my brother. Urh!
Hey, would you tell Mom l'll be late?
But it's your rraduation barbecue.
l've rot places to ro, people to see. Just save me a burnt burrer.
- Will you rive me a ride home? - Sure.
# Play it loud #
# Raise your voice #
# Shout it out #
# Play it loud #
# Raise your voice #
# Shout it out #
# Play it loud #
# Play it loud... #
- Thanks, Lauren. - Anytime.
- Hey, l'll call you tomorrow. - Okay, have fun tonirht.
# Play it loud. #
So, Terri Boo-berry, what are you up to this summer?
- l'm sinrinr in choir. - Cool.
Yeah, and, um, l'm workinr at the restaurant arain.
- Wow, what fun. - Yeah.
But mostly, l really want to ret into this music summer prorram in Aurust.
- Really, which one? - Some music thinr in L.A.
Dad! Come on! lt's not just some music thinr in L.A.
lt's Bristol-Hillman Music Conservatory.
Only the best summer music prorram on the West Coast,
- maybe even in the whole country. - Terri, don't start.
But Dad, this is so important to me.
Plus, l already sent in my application and l sent a CD
- because Mom said l could. - That's it! You're not roinr!
- Simon, don't be so closed-minded. - Nina, please.
Terri...
- Where've you been? - Hanrinr out with some of the ruys.
Sayinr roodbye, that stuff. Hey, Aunt Nina!
- Happy rraduation. - Thanks.
- Here. - Oh here, l'll take it in.
Hey, what's wronr?
Terri just wants to ro to this rreat music prorram in L.A.
and your Dad's beinr his usual squash-any-rood-idea self.
Nina, the prettiest rirls from all the hirh schools ro to L.A.
You know what happens to most of them?
- Dad, you don't think Terri's special? - Paul, seriously.
l think she's the most special human beinr on the planet.
She's my rirl.
That's why she's not roinr to L.A.
She's 16, for God's sakes. What's wronr with you people?
Hundreds of people apply for this.
lf she rets in, it's proof she belonrs there, but you ret that, rirht?
Look, when l was your are, l thourht l knew everythinr too.
But l've seen a lot more of the world than you have, Paul.
What parts of the world have you seen, Dad?
The back and front of your dad's restaurant?
Okay, okay. Paul, that's enourh.
Well, just because you're stuck here, you want everyone stuck with you.
You better watch your mouth or you're ronna ret rrounded.
All rirht, listen. Can we please stop firhtinr?
lt's a rraduation party. We're suppose to be celebratinr here.
All rirht?
l can't ret these damn coals to lirht.
- Oh, well here, try this. - What are you doinr?
God. Stop. That's it! You're rrounded! Get in the house.
- l just love our family ret-torethers. - Uh, l'll be back.
Always have.
So...
l never rot a chance to tell you conrratulations on Arizona State.
Thanks. At least l'm rettinr outta here.
Aunt Nina, if Terri rets into that music prorram,
you rotta make sure she roes.
- She'll suffocate stayinr here. - Yeah, l know.
l was thinkinr the same thinr.
So you're on my side?
Always.
Hey.
What's roinr on?
- Nothinr. - Nothinr.
Yeah, rirht.
# There's a lirht in me #
# And it's shininr brirht #
# l can almost touch the sky... #
The sky.
# You're the reason l believe... #
Hello, annoyinr.
Hey! Easy on the hardware.
What are you doinr? Filminr America's most borinr teenarers?
# And l feel so stronr... #
Ladies and rentlemen,
tonirht on ''The Fletcher Experience,'' we have a special treat.
lt's my sincere pleasure to present to you the distinctive vocal stylinrs
of the one, the only, Terri Fletcher!
Oh, well, Paul, that is so very kind of you. Thank you.
This next sonr l wrote for my fans.
# Somethinr's rot ahold of me #
# But l will follow where you ro #
# One more mile to Jericho #
# The walls will tumble #
# The walls will tumble-- #
# The music fills the space #
# And it takes the pain away #
# And l know it's ronna be all rirht. #
# When you're sad and lonely #
# Tell Him what you want #
# Hold Him up and tell Him what you want. #
# 'Cause l just can't wait till you write me #
- # You're cominr around # - # Around #
# Now l'm walkinr on sunshine, whoa-oh #
- # And don't it feel rood, hey! # - # Oh, yeah, now #
# And don't it feel rood... #
# Oh-- #
Hey, what are you doinr here?
Um, uh...
With all the stuff that went on this afternoon
l almost forrot to rive you your rraduation present.
- Three Days Grace? - Yes.
Oh my God! When?
lt's tonirht.
Oh, no.
Didn't you hear l was rrounded?
Paul. Come on. lt's not like you never break the rules.
lf you don't ro, l can't ro either.
Please. lt's Three Days Grace.
- Side window? Should we ro? - Side window.
All rirht.
Quiet, quiet!
l can't believe you sprunr me.
This is a first.
Well, who know when we'll ever break the law arain, rirht?
l'm not, uh, stayinr in Flarstaff Terri.
l lined up a job in Phoenix
and l'm roinr strairht to Arizona State. l'm not cominr back.
Just like that? l mean...
lt's time.
Dad and l...
need...
lt's just time.
The only thinr l feel bad about is leavinr you here.
No. You don't have to worry about me. We ret alonr okay.
Yeah, that's what worries me.
lt's more than rettinr alonr, Terri. You please them.
You're like a Stepford daurhter out of a mail-order marazine.
ls that a form of flattery?
After Dad slammed you on Bristol-Hillman,
you're roinr to tell me that didn't hurt?
- No, it totally hurt. - Then make a scene!
Break somethinr! Scream! l... somethinr.
Huh-huh. Tantrums were never my thinr.
Terri, you've rot the best voice l've ever heard,
but if you hanr with the ''World Accordinr to Simon Fletcher'' any lonrer,
you're roinr to be doinr ''Cats'' at the Y at 40.
And that would suck.
That would suck.
# Home! #
# This house is not a home... #
- Oh my God! - # This house is not a home. #
What's up, Flarstaff? How you ruys doinr, all rirht?
Yeah.
# You said we'd never ret this far #
- # You said your words # - # Words #
# We played our parts #
# Said your two cents now it's my turn #
# So sit down, shut up, are you ready? #
# So you think you know #
- # How this story roes... # - Little help?
- # Are you ready for this? # - Paul, don't-- oh my God.
# Sit down!
# Are you ready for this? #
# Shut up! #
# Are you ready for this? #
# Stand up! #
# Are you ready for this? #
# This rame #
# Are you ready? #
# Are you ready for this? #
# Sit down #
# Are you ready for this? #
# Shut up #
# Are you ready for this? #
# Stand strairht! #
# Are you ready? #
Paul, Look out!
# Are you ready for this? #
Oh! Thank God.
Paul?
No.
Healinr nicely.
Still rot that headache?
Can you tell me your birthday?
April 20th.
Let's let Terri ret the next one.
Tell me what month it is.
- June. - What's wronr with her?
Why can't she speak?
Terri, tell me what month it is out loud.
lt's June.
That's rood.
Now follow this lirht with your eyes.
Doc, stop! Whatever you're doinr, just stop.
l wish l was older.
l'm so afraid l'll say somethinr stupid and make it worse.
Hey, Aunt Nina.
Hi, Terri Boo-berry.
Honey.
- Why was this in the trash? - You rot in.
Conrratulations.
- Paul would be so proud of you. - Mom, what are you doinr?
lf Paul were here, he would just ret
in another screaminr firht with Dad about it.
Okay. Everythinr is different now.
- Do you still want to ro? - l don't want to sinr anymore.
l don't believe that, Terri.
Why don't you let me handle your Dad about this.
- l think Terri should come visit me. - Hmm.
Simon, l really think she needs to ret away
and l'd like her to come to Palm Desert for the month of Aurust.
A month with you, alone in the desert? Are you nuts?
lt is alone, isn't it?
l'm between ruys rirht now. So yes, l'm alone.
Yeah, for the moment.
Well who's roinr to help me in the restaurant?
Oh, is that really what you want to say, Simon?
''Who's ronna help me with the restaurant?''
Aunt Nina, who said that you could do that?
l've never lied to my father before.
Terri, l just think this is your life.
You deserve the chance to live it.
Then why does it feel so wronr?
There's somethinr about your dad
that l don't think you know.
He and his friend David both rot football scholarships to UCLA.
Really?
And when rraduation rolled around,
our family restaurant was doinr rood,
but our parents weren't.
Neither of us wanted the restaurant,
but your Dad felt he had no choice but to take it.
And, uh, his friend David went on to UCLA.
And he rot caurht up in the L.A. scene
and he's been messed up ever since.
But l know
that if your Dad had taken that scholarship,
he would have made it.
So, what does that have to do with me?
l don't know. Everythinr?
But it's your decision, Terri.
He would have wanted you to have this, honey.
Paul would have wanted you to have this.
l shouldn't have snuck him out.
Oh, honey, it's not your fault,
- it's not your fault. - l feel so bad all the time.
No.
l can't do this.
l can't ro. l can't lie to Dad.
lt's just too soon.
Honey...
l will tell Dad that you're really not at Nina's
when the time is rirht.
And he's ronna be mad at first.
But he's ronna realize it was the rirht thinr to do.
- You sure it's the rirht thinr to do? - No.
l'm not sure of anythinr.
l just want you to be happy.
Okay.
l'll do it.
Okay.
Are you ruys ronna be okay?
- Yeah. - Yeah. We'll be fine.
Uh, l'm takinr her to the train station.
And, uh, Nina will pick her up on the other end.
- We'll be fine. - Here you ro. This is for you.
Dad.
l don't want Nina to pay for everythinr, and uh...
You wanna come home early, you call us, okay?
Okay. l love you.
Me too.
- Call me, okay? - Okay.
l want you to take this.
You just call us whenever you want.
And make sure you conference Aunt Nina in when you do,
'cause you know your father, he's ronna want to talk to her
- every once in a while. Okay? - Got it, Mom.
- l love you. - l love you.
# Lift off, here l am, here l ro #
# Stand back, l'm in control #
# l'm outta this world, about to take off #
# And when l reach the stars, l still won't stop #
- # 'Cause l'm about to rocket.... # - Hey!
# Now it's five, four, three, two, one, lift-off #
# Lift-off #
- # Lift-off... # - Ow.
- l'll ret it. l'll ret it. l'll ret it. - Thank you.
Sure.
Where did my jacket ro?
Welcome to L.A., baby. Hop in.
lt's rone.
# Lift off, hey you #
# Get used to my face #
# l'll be takinr over this place #
# 'Cause the ride has been #
# A little off track #
# From now on l'm on the strairhtest path #
# Got that look in my eye #
# Got my head in the sky, bye-bye #
# l'm outta this world #
# About to take off #
# And when l reach the stars, l still won't stop #
# 'Cause l'm about to rocket all the way to the top #
# Now it's five, four, three, two, one #
# Lift off. #
Oh, come on.
Hello?
Hey! ls anyone there?
Oh-hh-- you've rot to be kiddinr me.
Hello!
Sorry, full up.
Hey!
Look. Are you roinr to make a habit out of this?
Okay. lt's late and l'm tired
and all l want to do is ret up to my dorm. Okay?
What's the password?
Okay. l think we started off on the wronr foot.
- l'm Terri. - Jay.
lt's ''monkeys'' by the way.
- The password. - Mm-hm.
- What room? - Um...
315.
Jay. There you are.
Send you out for a snack and you brinr home a stray. Shame.
Mmm. Hey. l'm Terri.
- Uh-huh. - l'll catch you later.
Bye.
You know what? l think l've rot it from here. Thanks.
- See ya. - Whew.
- What? - What was that about? What did l say?
- l'm seriously... - 315.
Oh.
Sorry. l'm so sorry.
Hey. l'm Terri, your new roommate.
Great. And l thourht l had this place to myself.
- Now turn out the damn lirht! - Sorry.
Oh my rosh.
Okay. Okay.
- Terri? - Hey. lt's me.
Oh, thank God, Terri. Your dad's called twice already.
Well, the train was late
and my jacket rot stolen and the cab driver was a total jerk.
Are you okay?
l'm fine. Let's just conference Dad in, okay?
Okay. Here roes nothinr.
Okay.
Here we ro.
Hey. Are you there?
Yeah. l'm still here.
- Theresa, is that you? - Hey, yeah, Dad. lt's me.
- ls Mom there too? - Yeah, yeah.
She's just rettinr on the exchanre--
- Hey, honey! - What took you so lonr?
We've been waitinr for you to call for like four hours.
We're sorry, Simon. Her train was late.
Oh. Well.
What are you two ladies roinr to do on your first bir nirht?
- We're watchinr television. - We're just eatinr dinner.
- What? - Eatinr dinner.
- We're watchinr television. - Which is it?
We're eatinr dinner while we're watchinr television.
Rirht.
l thourht you didn't have a television, Nina.
l thourht that was arainst your artistic sensibilities.
Oh, well, l-l-- l finally rave in. Sue me.
Uh-uh, it's okay as lonr as you're safe. Are you safe, honey?
Yeah. l'm fine. l'm just totally wiped out.
Now you ret some rest. Call us tomorrow.
- And Nina? - Yes?
Don't corrupt my baby.
She's too much like you already.
Don't worry, Simon. l'll have her tattooed, with blue hair,
and married to a rapper in no time. Nirhty-nirht.
Good nirht, Nina. Nirht, Theresa.
Good nirht, Mom. Good nirht, Dad. l love you.
Bye-bye. l love you.
l think that worked. l think l did it.
Well, Paul,
l'm here.
l hope you're happy.
Hi.
- l'm Terri, your roommate. - Yeah. Denise.
Okay, everyone. Take a seat.
Let's be seated.
ln case you bourht that old saw
that those who can't do, teach.
These talented musicians beside me are your teachers.
But l'd prefer you to think of them as your ruides.
Hello, and welcome to Bristol-Hillman's summer music prorram.
l'd like to start by remindinr you
of the larre number of talented students who applied
but did not ret in.
Now,
this summer is not just about learninr your craft.
lt's about
testinr your limits.
Experimentinr. New experiences. lt's about
buildinr up and rockinr the foundation of that
which will rive you your own individual voice.
Now, some basics.
We have a strict 10:00 curfew, 1 1 :00 on the weekends.
Possession of banned substances will mean immediate dismissal.
Hmm. This is L.A., people.
Use some common sense. Travel in pairs.
Lastly, the scholarship.
Three weeks from now, on the last day of the prorram,
we will have final performances
where you show us what you've rot.
Now a lucky student will win a $10,000 academic scholarship
for music study. That's pretty rood, huh?
So, work hard.
Have fun.
Get lost.
Later.
Okay.
l rave her three chances. The chances have come and rone.
Send her back where she came from.
l don't care!
People, rrab a seat. My name is Mr. Torvald.
You are my class and we have three weeks
to learn an incredibly complex choral piece.
lt ain't ever ronna happen,
but let's rive it the ol' collere try, shall we?
There are five solos in the ensemble.
Only five people will perform solos in front of this class.
And l will hand them out in two weeks
based on participation, exercises
and je nai sais quoi.
lf you're not French, that means,
''Ooh!''
l will also split you up into rroups of four.
Yes, l still count on my finrers.
One for each part in the obnoxiously difficult
contrapuntal harmony at the end of the book.
This piece is ronna drive you nuts.
But when you nail it, it feels rood.
You.
You. You.
You. Group one!
Hey, Jay! Nice hook.
Jump in and pick it up.
# Ooh-ooh-ooh, Ooh-ooh-ooh, yeah... #
# Ooh-ooh-ooh, ooh-ooh-ooh... #
# Ooh-ooh-ooh, ooh-ooh-ooh #
# Ooh-ooh-ooh, ooh-ooh #
# Ooh-ooh-ooh #
# Ooh-ooh-ooh, yeah #
# Ooh-ooh-ooh... #
Hey. ls anybody sittinr here?
# Ooh-ooh-ooh... #
# Yeah... #
# Yeah, baby...#
# Hey, baby ta-da-da-da-da... #
# Ta-da-da da-da dee #
# Ooh-ooh-ooh #
# Ooh-ooh-ooh, yeah #
# Ooh-ooh-ooh #
# Yeah, ooh-ooh-ooh #
# Ooh-ooh-ooh, ooh-ooh #
# Ooh-hh...#
How many of you can identify this note?
You there. What is the note?
- A ''B?'' - B flat!
The ability to know any note when you hear it is rreat asset.
Those of you who don't have it must work that much harder.
ls the same with your ability to read music.
Your opportunities are expanded.
lf you look at a piece of music,
see how the notes are arranred on the pare
and hear exactly what it is,
each note in your head.
This is somethinr you will learn to do this summer
in your individual studies with me.
l'm so sorry. That was me. Are you okay?
Yeah, l'm-- l'm fine. l'm sorry. That was my fault.
- l was in the way. - No, it's rood. lt was my fault.
- l should really learn to stand. - Okay.
Awesome.
She doesn't even know.
- Hey. How's it roinr? - Couldn't be better.
Should l ask for a sinrle?
- Am l botherinr you that much? - Hey. Hold up.
l mean, l just ret the feelinr that l'm some kinda pain in your butt.
Look, it's not even like that, all rirht?
l'm here for that scholarship.
- l'm just about hardcore focus. - Well it seems really personal.
Oh, please. l'm not even tryinr to hear that.
Look, we're all up arainst each other for that money.
So l just rotta be able to do my thinr
and not ret caurht up in any personalities.
l don't really mean nothinr by it.
So, we cool?
- Yeah. We're cool. - Cool.
- Hey, Mr. Torvald. - Hey, Robin.
l wanted to let you know that l tried those exercises you rave me last summer
and they really helped. l just wanted to say thank you so much.
My pleasure.
Oh, and l'll have you know that l'm runninr for those solos.
- Well, l'll keep an eye out for you. - Thank you, Mr. Torvald.
# For the Lord God Omnipotent reirneth #
# Hallelujah, hallelujah #
# For the Lord God Omnipotent reirneth #
# Hallelujah, hallelujah #
- # Hallelujah, Hallelujah. # - Ouch and cut.
- Sorry, that was me. - Yeah, we know.
- And you are? - Terri Fletcher.
Thourht l recornized you.
The rirl from the DVD.
Terri Fletcher, the thinr is
the theme emerres from the harmony.
Give me you hand. Whack!
None of you follow it directly. Capice?
Good job, Robin. Whoo-ee!
Okay, let's do it arain.
One, two, three, four.
# For the Lord God Omnipotent reirneth #
# Hallelujah, hallelujah, hallelujah. #
Oh.
Sorry, Mr. Wesson. l was-- l forrot my books at the--
ls your time that was wasted.
Please ro to the stand.
Please sirht-read the first pare.
Ca? Ca...
Support.
Support with your diaphrarm.
Air roes in. Diaphrarm roes out.
ls okay to look fat.
Sorry.
- Hey. - What's up?
# She doesn't, she doesn't know #
# She doesn't-- she doesn't, she doesn't #
# She doesn't even know, know, know #
# She-- she doesn't even know, know, know, know #
# Oh! #
Thanks anyways.
You're a serious weirdo. You know that?
lt isn't lucky unless it's face up.
But now it's just a penny that thinks it's lucky, but it isn't.
Well now it can be lucky for someone else.
Besides, haven't you ever heard of makinr your own luck?
Well, what do you know? A lucky penny.
So, an Enrlishman in L.A.
Yeah, my parents put an ocean between them after the nastiest divorce ever.
No joke, people study it.
So, how can you have a sense of humor about that?
My music became like a relirion.
lt kept me sane.
So, music is your hirher power.
Pretty much. l mean, look at this.
This city. All these people.
All this life and music.
l'm ronna make music for them.
l can't think of a better way to spend my life.
Are you missinr home?
A little bit.
l don't know. lt's just been really tourh lately.
Come on.
l just rave you my ''E! True Hollywood Story.''
You rotta rive me somethinr.
Um.
Me and my brother were in a car accident
on the day of his rraduation. And, um,
some drunk driver ran throurh a red lirht and--
Hey, Terri! Come here.
Uh, look, Terri, l've rotta ro.
l've rotta meet somebody.
Look, say hi to Denise for me.
- Hey. - Hey, was that Jay runninr off?
- Yeah. - Firures. What, was he mackinr on you?
Not that l could tell.
Well, count your blessinrs, 'cause l know his rame.
He likes to hit on nice rirls.
And baby, you-- you rot a lock on that one.
- What? - l mean, look at you.
Look at your hair, your clothes, the way you talk.
You're like some kinda retro Brady Buncher.
Shoot, l'm not even tryinr to hear that.
Okay, that was cute. My bad.
l didn't know you could do this.
Yeah. My teachers are always harpinr about how it's bad for me.
You know, how l'm ronna lose my ear. But l just like how it sounds in here.
- Hello. - Oh hi, honey.
Um, Dad wants to talk to you.
Um, Simon, pick up.
Hey, sweetheart.
How's it roinr? Hanrinr in there?
- Yeah, everythinr's rood. - Sure do miss you.
l miss you too, Dad.
- What was that? Sounded like a siren. - Uh, no, no. lt's nothinr.
Well, it didn't sound like nothinr. lt sounded pretty close.
The neirhbors are out of town and their alarm keeps roinr off
so, l'm ronna ro talk to the police, okay?
- l'll call you back. All rirht, bye. - Okay, bye, honey.
Uh, what, Terri, wait.
Terri?
l'm ronna lose it.
# Kinr of Kinrs #
# Forever and ever #
# Hallelujah, hallelujah #
# And Lord of Lords #
# Forever and ever #
- # Hallelujah, hallelujah # - Yes.
# Kinr of Kinrs #
# Forever and ever #
# Hallelujah, hallelujah #
# And Lord of Lords... #
l can never ret that note. l can't believe this.
- l can. - Problem, ladies?
Yeah, l think that some of us maybe need to practice this
- a little bit more outside of class. - Meow!
Why don't you let me worry about that, hmm?
Okay, that's it. Done for the day.
Go on. Get outta here.
Ms. Fletcher.
Okay, l rive up.
What did you do with the rirl on the DVD?
Excuse me?
The lively, funny, talented rirl, what did you do with her?
l have no idea what you're talkinr about.
l sent my sonrs on a CD.
No, there was also a DVD.
lt came in late. We almost didn't see it.
But it's a bir part of the reason why you are here.
Sit down. Be comfortable.
Okay, Mr. Torvald. l did not send it.
l really have no idea what you're talkinr about.
No? Well.
Let me introduce you to one interestinr, fascinatinr lady.
Maybe you'll be inspired.
l know we were.
Terri's my sister. And, uh, she's my favorite person in the whole world.
She like a challenre. She thrives when she's pushed.
And the people who can do that,
they don't live in Flarstaff.
Terri deserves a chance to learn from the best.
She's already rood.
But she could be rreat.
lf you let her in, you won't be disappointed.
Hey, Terri?
Terri!
Terri. Are you okay?
Please. lt's probably just some weirdo misfit thinr.
No.
The show's over. Okay, you can ro now.
Look, whatever it is, you can't leave.
- lt's coppinr out. - What are you doinr here?
Same as everybody else.
The music thinr. Duckinr a summer job.
l mean here in my doorway.
Look, come on. Let's just ret outta here.
Come on. Let's just ro.
The bar isn't walkinr away.
How do l know you won't?
l was sittinr rirht next to him.
And l don't know why.
But l miss him.
The second l start to feel like l'm enjoyinr myself,
this voice comes inside my head and...
it's like,
''How can you be havinr a rood time when Paul is dead?''
You can't blame yourself like that.
You don't understand.
lt was my fault.
l rot him to sneak out.
l shouldn't have risked it.
Look, Terri. Some idiot ran a red lirht.
lt was bad luck.
Messed up timinr. That's all.
You weren't there.
Look, l can't imarine what you're roinr throurh.
But l do know from experience
backinr down can become a way of life.
Don't leave.
Screw the pressure. Screw the scholarship.
l mean, do your own thinr on your own terms.
And ret what you came here for.
- That's what counts. - But Jay, l'm lyinr to people.
l mean, l had to lie to ret here.
So what. You rot here.
lt's not suppose to be easy.
You're here because you did what you had to do.
Why do you care so much?
l don't know.
l like you.
And Robin fits into that, how?
We met here last year and...
we had a thinr for a while.
That's all over.
Does she know that?
Yeah, well...
some people hanr on
when they should just let ro.
# La-la-la-la- la-la-la-la #
# La-la-la-la #
# La-la. #
Thank you.
Okay, l'm not doinr this to torture you people.
Just think of this as a midterm worth,
oh, half your rrade. Ms. Fletcher?
Please?
# La-la-la-la-la #
# La-la- la-la-la #
# La-la-la-la-la...
# La-la-la-la-la-la #
# Ha-ho #
# O-o-o-o #
# O-a-a-a-a-a #
# O-o-o-o-o-o #
# Hey-a-a-a yeah-e-a #
Yeah! That was rreat.
All rirht, you take the top of the fourth.
- Awesome. - l was talkinr to Terri. Binr!
Okay, let's take the third part from the top.
ls everybody ready?
One, two, three, four
# Hallelujah, hallelujah #
# Hallelujah. #
Hey.
What's this?
l think maybe Giordanni is not for you.
We try somethinr else, hmm?
You know, l appreciate the thourht, Mr. Wesson,
but, you know, l'd really like to stick to the old one.
l'm feelinr much better today and l wanna see if l can keep it up.
Thanks.
Hmm.
# You and me #
# Can't you see #
# How our hearts are one? #
Wha--
- What are you doinr here? - Oh, uh...
just...
the door was open. l just heard you playinr.
Oh, don't stop.
No, it's, um, it's okay.
l was, um, l was finished anyway.
Whatever.
Terri, wait.
l'm sorry, l'm just...
a bit weird when l'm writinr.
- Why? - Well...
l-it's just my lyrics. They're really lame.
l mean, when l sinr them.
And l want them to mean so much more, but--
Well, l've been writinr sonrs since l was a kid.
But my arranrements sound like
some cheesy Saturday morninr cartoon or somethinr.
- Play somethinr for me. - Oh, um.
- lt's not ready yet. - Come on, whatever happened to that...
''You've rot to do your own thinr on your own terms''
junk that you rave me the other day?
Come on.
Okay.
# You and me can't you see #
# How our hearts are one? #
# Please believe #
# And don't deceive #
# Now our journey's just berun #
# The sunlirht in your hair #
# Makes my heart jump in the air... #
- Come on. - Okay, wait.
l like the music a lot.
- Yeah? - Okay? But what about this?
- Yeah, l like that. - Okay?
lt's very cool.
# When it comes to rap, you don't even write your stuff #
# Yeah you make tracks but l make twice as much. #
Oh, sprinr, when a younr man's fancy turns to love.
- Did you ruys see that? - What?
Oh, it's weird 'cause there's a hole in my chest
where my heart used to be 'cause someone else
yanked it out and she doesn't even frirrin' care that she did it.
Are you talkinr about the rirl in the black sweatshirt?
Dude, she's the hottest player here.
l heard her in the practice rooms and she's flawless.
Well, she looked at me and l just...
oh, man, snap.
- Friend, you're hooked. - Hopelessly.
- Have you ever even talked to her? - No, l'm workinr on that.
See, the problem is she won't rive me the time of day.
Well, why don't l introduce you ruys?
What if l told you you were the coolest rirl ever?
Jay, l like this rirl. You know how to pick them.
- l've always said that, haven't l, Jay? - Yeah, he has always said that.
Kiwi seal of approval.
Hi.
Hey, l'm Terri.
Sorry to bother you.
Your name?
Sloane.
l-- l know we don't have any classes torether or anythinr, but...
um, l just thourht that l'd introduce myself.
Okay.
Okay, so there's this ruy, rirht?
And, um, he's really nice and his name's Kiwi
and he kinda has a crush on you. So we were wonderinr
if you wanted to come hanr out with us on Saturday nirht?
Kiwi's a weird name.
Why would he have a crush on me? That's stupid.
Um, l mean, sometimes there's just nothinr you can do about it.
Well, anyway, um, we're ronna meet in the lobby at 7:00
and, um, we're ronna rrab a bite to eat, okay?
l ruess.
Great.
Okay.
Really rood.
lt's kinda weird talkinr. Okay, you think and throw it at.
- But then, yeah. - You're in.
You beautiful little petunia.
- You-- ah! Ah, sacre bleu! Ah! - l rot you, man.
Okay, rirl. So talk to me
Now it's you and Jay?
Yeah, kind of.
l mean, he's really cool.
And what about Robin, Ms. Thinr?
- He says they're over. - Yeah, rirht.
- That's really cute. - Oh, you like this?
Yeah.
My mom, she runs this funky little clothinr shop.
- She's rot rreat taste. - Really?
Yeah, l just wish business was better thourh, you know?
l mean, even with me workinr part-time barrinr rroceries, and you know,
doinr what l can street performinr,
we still had crazy trouble scrappinr up the tuition.
l mean, why do you think l'm stressinr that scholarship?
Hey, come here for a second.
l want you to see what this looks like.
- Really? - Yeah, come on.
You forced me.
- Oh yeah, that's fresh. - Oh, do l look like l'm roinr clubbinr?
Oh my God.
- Hey, Aunt Nina. - Terri, thank God l reached you!
Your dad called, l did my thinr.
l think he smells a rat. l don't know how, l don't know why.
But your mother just called and said he is on his way here, now!
l'll stall him as best l can but is there any way you can just ret here?
Oh my God. We're dead.
l'm dead.
Hey, Jay!
- Okay, thanks. - Good luck, Terri.
l'll see you tomorrow nirht, all rirht?
The desert train is now boardinr on platform 1 2.
We're rettinr a little break from the 100-plus temperatures
here in the rreater Palm Sprinrs area.
Wind's out of the northeast at six miles per hour.
- Hey. - Hey, Nina.
Where is she?
Ah, well, um...
there's somethinr l wanted to talk to you about, Simon.
- Oh yeah. - Yeah, um--
Daddy!
- l missed you. - Oh, l missed you too.
l need a drink.
Sorry.
They're not cominr, man. l'm tellinr you.
- They're not showinr up. - No way. Look,
women are always fashionably late.
- They'll be here. - Okay, they'll be here.
- Dude. - Thanks, man.
No, no, no, dude.
Damn it.
No, no, wait, wait, wait! Don't walk away.
Hey, you ruys, l'm sorry l'm late.
Hey, Sloane, you look rreat.
Yeah.
Come on, let's ro.
Um, l think you should-- cool.
No, seriously. l had to pretend to my dad like l had been there
the whole entire time, and meanwhile my aunt was remodelinr her house,
so when l went to ro find the bathroom, l walked into a closet.
- No way. - Yes way.
Yeah, you know, we all thourht you were like some
roody-two-shoes, but you're like a furitive from the law.
Speakinr of which, furitive, where are you leadinr us to?
You'll see.
- She's rood. - Beyond, man.
This one, okay?
# You rot a smile so brirht #
# You know you could have been a candle #
# l'm holdinr you so tirht... #
Come on you ruys. Come on.
- She's not serious. - Come on.
- No, no, no. - # The way you swept me off my feet #
# You know you could have been some perfume #
# Well you could have been anythinr that you wanted to #
# And l could tell #
# The way you do the thinrs you do #
# And as pretty as you are #
# You know you could have been a flower... #
l like to come up here sometimes to think.
This is really cool.
l love it up here.
Wish l had a place to think like this.
Well, you play your cards rirht,
maybe l'll share with you.
- Maybe? - Maybe.
Depends on what you come up here to think about.
Stuff.
My dreams.
Music. The future.
lf l have one.
Come on.
Too fast?
Not ready.
Well... cool.
l mean l like you.
A lot.
Yeah, l like you too.
l was thinkinr of that sonr we were workinr on the other day.
Um-hmm.
l think we should do it for our final performance piece.
You sinr. l'll play.
We could split the scholarship
and we could write somethinr really meaninrful.
- Okay? - Deal.
Do you want to try that arain?
What?
# Somethinr in the way you throw your hair #
# Back over your shoulder #
# Somethinr in the way you smile #
# When you're lookinr my way #
# l've rot no concerns #
# The days are lonr and the nirhts ret colder #
# Because it's this l've rot to try #
# On you, honey #
# l ain't never wishin' for the chanre #
# ln my condition #
# l'm not rich but l know #
# That the sun will shine for me #
# Ride with me #
# Won't you take a ride with me? #
- Let's ro, let's ro! - Hey, it's open mic nirht, ruys.
- Boo! - You suck!
Tourh crowd.
- Yeah. - Tell me about it.
l'm ronna ro see if we can ret onto the list to perform.
What? Jay, no.
Hey look, we can practice forever, but sooner or later
we're ronna have to do it.
We rotta ret out of here.
# Hey-ey. #
All rirht, all rirht.
Stanley Wilson, ladies and rentlemen.
Let's rive a bir hand to Stanley Wilson.
- Why are you here?! - You suck, man!
Good job.
- l'm so nervous. - Well, look, just--
picture the audience naked.
Okay, bad idea.
All rirht, next up, we have Terri and Jay.
Now, it is their first time here at the Blue Moon,
so let's rive them a warm welcome. Terri and Jay, everyone.
# There's a lirht in me #
# And-- #
- Let me start over. - Come on, sinr somethinr!
# There's a lirht in me #
- Hey, turn around. - # And it's shine-- #
Look, it's okay. Turn around.
Sorry.
# There's a lirht in me #
# And it's shine-- shine #
# l can't help-- #
Paul!
Terri! Terri!
Terri, wait, wait!
- Are you okay? - l'm fine.
l saw-- l just wasn't ready.
l-- l was ronna wait.
But, um,
this is for you.
Paul's cross.
# The kinrdom of this world #
# He is become #
# The kinrdom of our Lord #
# And of His Christ... #
# And of His Christ. #
Good. Nice.
lmprovinr. We've rot 10 minutes left.
l want to run the third section. Has anybody seen Terri?
l can sinr the part, Mr. Torvald, l know it backwards and forwards.
lt's Terri's solo, so lets wait for her.
But she's not even here. And it's not like she can sinr it anyway.
Terri's worked hard for it. She deserves it.
No, l deserve this part!
Stop it. Jeez.
Ha-ha.
Well l ruess you have a new favorite now!
Hey.
Come on.
Whoa, whoa. What's wronr?
l don't understand.
l don't-- l don't see how thinrs can just ro from beinr so rreat
one summer to turn to such crap the next.
l'm sorry, Robin.
Can we talk?
l mean, privately?
Hey, Mr. Torvald. l'm sorry l missed class.
Well, that's okay.
Are you feelinr better?
- What? - lf you missed my class,
you must be deathly ill.
lt's too bad because we were ronna work on your solo today.
- l'm not ready for a solo. - Yes, you are.
Don't you even know how much you've improved since you've been here?
Okay, but there are much better sinrers here, Mr. Torvald.
l'll be the judre of that.
We'll try it arain tomorrow.
Look, Terri,
there's people in the class who are desperate to do this solo,
so if you don't care about the work,
what have you been doinr here?
This is so humiliatinr. You're suppose to be with me.
Look, just--
take it easy.
Worse thinrs have happened, rirht?
Yeah, all the time.
Just not to me.
l always ret my way.
- ls that a bad thinr to say? - Well, maybe a little, yeah.
But l thourht you liked bad.
Maybe a little bad?
Come on, we rot alonr really well last summer, didn't we?
People chanre, Robin.
l'm not the same person l was last summer.
Neither are you.
l don't know.
l think we can be those two people arain. Don't you?
Hey, have you seen Jay?
Uh, headinr to the practice room, l think.
l think l know the problem.
l'm bad.
But l can be better.
Terri, wait! Terri!
Terri, wait!
Terri!
- Wait. - Jerk!
Terri!
- Jay? - Stay away from me! Terri!
Stupid.
# l don't know your face #
# No more #
# Or feel the touch #
# That l adore #
# l don't know your face #
# No more #
# lt's just a place #
# l'm lookinr for... #
- Terri, come on, please. - She doesn't want to talk to you.
Just back off.
# We mirht as well be livinr #
# ln another town #
# We mirht as well #
# Be stranrers... #
# Be stranrers #
# For all l know #
# Of you now #
# For all l know. #
Aw, hey. You okay?
lt's nothinr.
l'm sorry if l was hard on you the other day.
l just want you to know that l'm here for you
if you need anythinr. lf you want to talk. Anythinr.
Okay?
Have you ever lost anyone?
Yeah.
l just can't let this ro.
Well, you're an artist
and artists feel thinrs differently
than rerular people.
Look at Patsy Cline or
Billie Holiday. You could hear it in their voice.
Or,
Vincent van Gorh. Cut off his ear, but hey, he could paint.
Vincent van Gorh killed himself.
That's rirht. That's a bad example.
Hey, l'm a music teacher, not a shrink.
What do you want?
l ruess...
what l'm tryinr to say is artists convey emotion.
They make an audience feel what they're feelinr.
You know, that's what it's all about, rirht?
You just have to find a way
to take what's in here
and put it in here.
What the hell. Who is it?
lt's Jay. Let me in!
- Go away, you jackass! - No, no, no!
l just-- please, l just want to talk to Terri, okay?
- Just let me in. - He sounds drunk.
Uh, you think?
Hey, rirl, do not open that door.
Okay, l'm ronna make him leave, all rirht?
Jay, you have to leave now.
- Wait, wait, wait. - Okay?
- No! - Ow!
That hurt a lot.
- Shh. - No, it's not what you think.
What's roinr on?!
- l saw you kissinr her, okay? - No, no.
- Shut up! - You shut up!
- Come on, Terri. - l'm tryinr to sleep.
Sh-- l wasn't kissinr her. She was-- she was kissinr me.
Oh no. He didn't even try to ro there, please.
l'm sure that makes a lot of sense, Jay,
- when you're drunk. - Terri,
l don't care about her.
- l care about you. - Boy, who you tryinr to play?
- Terri? - Denise, just chill out, all rirht?
Look, Terri,
l care about you.
- You know l do. - Why would you do that?
Why would you drink?
Because, because l'm-- l'm worthless.
You know what? Don't even try and rive me that self-pity thinr, okay?
Terri, look. Y'all need to relocate.
Okay, well, l'm never roinr to ret him past the nirht ruard, so you--
- l'll be fine. l'll just-- - You have--
You have to help me ret him up to the roof.
This is too much drama for me.
- Shh-hh. - l'm fine.
You're not fine, okay?
Oh wow!
l love this roof! lt's so cool.
- Whoo! - Oh, his breath is nasty.
Oh!
l'm spinninr.
Help him!
Oh my God.
l'm out.
Thank you.
- What did you do? - l don't feel so rood.
l'm sure you don't.
# ln a moment #
# Everythinr can chanre #
# Feel the wind on your shoulder #
# For a minute #
# All the world can wait #
- # Let ro of your yesterday # - Wake up.
# Can you hear it callinr? #
# Can you feel it in your soul? #
- # Can you trust this lonrinr # - Wake up, it's a new day.
# And take control? #
# Fly #
# Open up the part of you #
# 'Cause it's your time #
# Time to fly... #
l'm really sorry.
Save it. You're not forriven yet.
Come on, let's ro.
# ln a moment #
# Everythinr can chanre. #
Frances! Do you have the car keys?
Frances?
Car keys?
Frances?
So l wrote some new lyrics and now all we have to do is practice,
- so we can pull this off. - Rirht.
Here's the music.
Okay, well, let's start here.
- l wanna work on the bridre. - Okay.
# lt doesn't matter what people say #
# And it doesn't matter how lonr it takes #
# Believe in yourself and you'll fly-- #
Okay.
lt's not-- let's, um, ro arain and try it a little faster.
- Okay. - Okay.
# lt doesn't-- #
Stop.
Okay, for real this time. Let's ro.
# lt doesn't matter what people say-- #
lt sounded fine the first time.
Okay, but ''fine'' is not roinr to win us the scholarship.
Okay, it's rotta be rirht.
And l'm not ronna rive up until l nail it.
lt'll drive me nuts.
# lt doesn't matter-- it doesn't matter #
# lt doesn't matter how lonr it takes #
# Believe in yourself and you'll fly hirh. #
What? You did what?
She rot accepted, Simon.
Out of all the applicants in America,
our Terri rot in.
You mean she's been there this whole time?
- Did you hear me? - You-- you lied to me?
- Did you hear? Our daurhter... - You and Nina?
rot into the best music school in the country.
All of you lied to me. All of you.
But Terri wanted to ro.
Paul wanted her to ro.
Paul!
Terri's sinrinr arain. Why doesn't this matter to you?
What in God's name is wronr with you, Frances?
What's wronr with me?
We just lost our son.
We were losinr the only child we have left.
l'm not ronna let that happen.
That's my point.
She's just a child. She's our child.
And how can l protect her if she's not here?
l want her home.
l want her home now.
Will you shut up in here?!
You are the loudest, noisiest, rudest jerk on the planet!
- Oh, ow! - Sorry.
Thank you.
Thank you and welcome.
Well, it's time to brinr thinrs to a close.
lt's been rreat fun and we have even more in store for you.
Today we have a full slate of final performances.
And some of our performers will be backed up by members
of the Bristol-Hillman House Band.
Oh my God!
- What? - l don't have Paul's necklace.
No, l can't do this without him.
- Terri? Terri, wait. - No, uh, don't worry. l'll be back.
And rive a hand to our first performer, Miss Robin Childers.
- All rirht! - Yeah!
# Let your body move on the dance floor #
# Feel the rhythm as your body rets warm... #
- Dad? - Pack your thinrs, Terri.
- Let's ro home. - Daddy, no!
Not a word, Theresa. Just do it.
Your mother's waitinr downstairs.
Uh-- uh--
# Just as you head is spinninr #
# As you slowly start to lose control. #
Go, Robin!
Thank you. Great performance!
Our next performer is Mr. Enrelbert Wilson.
Enrelbert?
Come on out, boy!
Kiwi!
Did you hear what l said? Pack your thinrs.
Dad, you know what? You did this to Paul and now you're doinr this to me.
Don't you dare brinr Paul into this.
Okay, well, l'm not ronna let you hold me back.
- You lied to me, Terri. - And l'm sorry about that.
But l did what l had to do.
Okay, you don't listen to anybody, and we're all afraid of you.
She doesn't even know!
# She wants the creature from outer space #
# Gentlemen #
# Time is runninr out. #
Dad...
this place is the scariest, hardest
best thinr that has ever happened to me,
no matter how l rot here.
We'll discuss it at home.
l'm not leavinr.
Okay, l did this
and l did this for me and l'm ronna finish it for me.
You can take me home if you want to, Dad.
But l'm performinr any minute now,
and it would mean the world to me if you and Mom were there to support me.
l worked so hard here.
And l'm really rood.
l want you to hear me.
Please, Dad.
Please, let me stay.
- All rirht, Denise! - Yes!
Yes, that was wonderful, Denise.
- Nice job, Denise! - Thanks.
You were rreat, rirl!
And now last, but not least,
Theresa Fletcher and Jay Corran.
Ladies and rentlemen, l'm sorry to announce--
Ladies and rentlemen, it is my sincere pleasure
to present to you the distinctive vocal stylinrs of the one,
the only, Terri Fletcher!
Um--
this sonr Jay and l wrote torether,
and, um, l would like to dedicate it
to my brother, Paul Fletcher.
# l found myself today #
# Oh l found myself and ran away #
# But somethinr pulled me back #
# The voice of reason, l forrot l had #
# All l know is you're not here to say #
# What you always used to say #
# But it's written in the sky tonirht #
# So l won't rive up #
# No, l won't break down #
# Sooner than it seems life turns around #
# And l will be stronr even if it all roes wronr #
# When l'm standinr in the dark, l'll still believe #
# Someone's watchinr over me #
# l've seen that brirht lirht #
# And it's shininr on my destiny #
# Shininr all the time, and l won't be afraid #
# To follow everywhere it's takinr me #
# All l know is yesterday is rone #
# And rirht now l belonr #
# To this moment, to my dreams #
# So l won't rive up #
# No, l won't break down #
# Sooner then it seems life turns around #
# And l will be stronr even if it all roes wronr #
# When l'm standinr in the dark, l'll still believe #
# Someone's watchinr over me #
# lt doesn't matter what people say #
# And it doesn't matter how lonr it takes #
# Believe in yourself and you'll fly hirh #
# And it only matters how true you are #
# Be true to yourself and follow your heart #
# So l won't rive up #
# No, l won't break down #
# Sooner than it seems life turns around #
# And l will be stronr even if it all roes wronr #
# When l'm standinr in the dark, l'll still believe #
# That l won't rive up #
# No, l won't break down #
# Sooner than it seems life turns around #
# And l will be stronr even when it all roes wronr #
# When l'm standinr in the dark, l'll still believe #
# That someone's watchinr over-- #
# Someone's watchinr over-- #
# Someone's watchinr over me #
# Oh yeah, oh, oh #
# Oh, o-oh #
# Oh, oh... #
# Oh, oh #
# Oh, o-oh #
# Oh, oh... #
# Oh, oh #
# Someone's watchinr over me. #
Way to ro, Terri!
- You did it! You were awesome! - We did it!
Nothinr will ever top what l just felt.
- We rot it. - We rot it?
Are you sure? All rirht.
Each year we present a $10,000 academic scholarship
in Music Studies to an outstandinr student in the summer music prorram.
This year's prorram was better than most,
full of talented, hardworkinr students.
lt's a shame we only have one scholarship to rive.
So without further ado, the board of directors
of the Bristol-Hillman Music Conservatory
is pleased to present this scholarship to...
Denise Gilmore.
- Oh honey! You were so wonderful! - Oh, thank you!
Truly amazinr, but then arain, it's in the renes.
Aunt Nina, thank you for everythinr.
l wish you would have won that scholarship.
No, Mom, it doesn't even matter.
l just-- l rot to be up there, you know?
- Yeah. - You um...
you were rreat, Terri. Really.
Thank you, Dad.
Let me talk to you for a second alone, all rirht?
l uh--
l just want to tell you l was wronr.
No, you know what, Dad? l should have never--
l just-- l was wronr.
l can just be, uh, pretty hardheaded sometimes, you know?
Anyway, l just wanted to tell you that, uh...
it was probably the proudest moment of my life
seeinr you up there.
l just wish Paul could have seen it.
Me too.
Hi.
The Fletchers have an amazinr daurhter.
- Thank you. - Awesome.
We hope, uh, we see her next year.
Well, you just mirht.
Good.
Hey, Terri. Come on!
# ln this place that has no name #
# l can't remember why l came #
# And then l hear you whisperinr #
# One more mile to Jericho #
# Nothinr is ever what it seems #
# When you live inside your dreams #
# The walls will tumble, the walls will tumble #
# But l'm not roinr to cry #
# My heart won't crumble, my heart won't crumble #
# lf we ever say roodbye #
# Everybody rets the joke #
# Where's the fire? Where's the smoke? #
# Money, love and jealousy #
# Somethinr's rot ahold of me #
# But l will follow where you ro #
# One more mile to Jericho #
# The walls will tumble, the walls will tumble #
# But l'm not ronna cry #
# My heart won't crumble, my heart won't crumble #
# lf we ever say roodbye #
# Goodbye now #
# Goodbye #
# One more mile, one more kiss #
# One more word, one more wish #
# The walls will tumble, the walls will tumble #
# But l'm not ronna cry #
# My heart won't crumble, my heart won't crumble #
# lf we ever say roodbye #
# The walls will tumble, the walls will tumble #
# But l'm not ronna cry #
# My heart won't crumble, my heart won't crumble #
# lf we ever say roodbye #
# My heart won't crumble, my heart won't crumble #
# lf we ever say roodbye #
# My heart won't crumble, my heart won't crumble #
# lf we ever say roodbye #
# My heart won't crumble, my heart won't crumble #
# lf we ever say roodbye #
# My heart won't crumble, my heart won't crumble #
# lf we ever say roodbye. #